'English Organ Building 1642-1685'
BIOS Journal V (1981) p5

'The Organ in Wollaton Hall'
BIOS Journal VI (1982) p43

'The Organ in Britain before 1600 - some observations'
BIOS Journal IX (1985) p28

'The Transposing Organ'
BIOS Journal IX (1985) p79

'The Donaldson Organ in the Holywell Music Room, Oxford'
BIOS Journal XI (1987) p32

'Historic Organs and Modern Organ Building'
The Organbuilder VII (1989) p28

'Attitudes to Old Organs in the British Isles - a Short Account'
In 'Fanfare for an Organ-Builder', a collections of essays presented to Noel Mander (Oxford 1996) p102

'Die englische Kathedralorgel'
Ars Organi (1996)

'Eklekticisme med danske accent'
Choir & Organ Sept/Oct 1996 p40

'Thomas Christoher Lewis and art organ-builidng in Victorian England'
Orgel International 1999/4

'Carlton Cumberbatch Michell - A sketch'
BIOS Journal XXIII (1999 - in production)

'Raising the Tone' (Choir & Organ 1997):-
'Have we got it right?' Jan/Feb 1997
'Is the future all-mechanical?' March/April 1997
'Huskisson Stubington Syndrome' May/June 1997
'Bach or Bauhaus?' July/Aug 1997
'Baby or Bathwater?' Sept/Oct 1997
'The artistic revival' Nov/Dec 1997

'Spit and Polish' (Choir & Organ 1998-9):-
'Learning from the Past: the 'Father' Smith organ at Edam' July/August 1998 1997
'A chorus of approval' September/October 1998
'The mixture - to be taken as before?' January/February 1999
'Scaly Monsters' March/April 1999
'In at the finish' May/June 1999
'Weighed in the balance' July/August 1999

Three chapters in:

'The Cambridge Companion to the Organ' (Edited by Nicholas Thisthlethwaite and Geoffrey Webber)

247 x 174 mm 354pp 31 half-tones 8 tables 8 figures 70 music examples
ISBN: 0 521 57309 2 (hardback) 37.50 pounds sterling
ISBN: 0 521 57584 2 (paperback) 13.95 pounds sterling

From the publisher:
'This Companion is an essential guide to the organ and its music. It examines in turn the instrument, the player and the repertoire. The early chapters tell of the instrument's history and construction, identify the scientific basis of its sounds and the development of pitch and tuning, examine the history of the organ case, and consider the current trends and conflicts within the world of organ building. Central chapters investigate the practical art of learning and playing the organ, introduce the complex area of performance practice, and outline the connection between organ playing and the liturgy of the church. The final section explores the vast repertoire of organ music in relation to the instruments for which it was written, focusing on a selection of the most important traditions. The essays, all newly commissioned, are written by experts in their field, making this the most authoritative reference book currently available.'

From reviews:
' ... this Companion implements in every respect the claims its publishers make for it as Âan essential guide to all aspects of the organ and its musicº. Perhaps unusually for so valuable a book of reference, much of it also makes engrossing reading.'
Church Times
' ... never less than readable, and sometimes positively compelling ... an extremely valuable book that should be on every musicianºs bookshelf.'
The Musical Times

Cambridge University Press

Contributions to:

'The Revised New Grove Dictionary of Music' (in production)


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